konflik utama selalu bersifat funda

konflik utama selalu bersifat fundamental, membenturkan sifat-sifat dan kekuatan-kekuatan tertentu seperti; kejujuran dengan kemunafikan, kenaifan dengan pengalaman, atau individualitas dengan kemauan beradaptasi. konflik semacam inilah yang menjadi inti struktur cerita, pusat yang pada gilirannya akan timbuh dan berkembang seiring dengan alur yang terus-menerus mengalir. sebuah cerita mungkin mengandung lebih dari satu konflik kekuatan, tetapi hanya konflik utamalah yang dapat merangkum seluruh peristiwa yang terjadi dalam alur. konflik utama selalu terikat teramat intim dengan tema cerita, dua hal ini bahkan bisa sangat identik (mahasiswa hampir keliru mengartikan "konflik" dengan kegalauan batin si karakter yang hanya tampak samar-samar atau dengan pertentangan-pertentangan harfiah. istilah ini hanya untuk dua kekuatan yang saling menaklukkan atau beresistensi).

Hasil (Inggris) 1:

the main conflict of fundamental nature, always banging properties and certain powers such as; honesty with hypocrisy, naivety and inexperience, or individuality with a willingness to adapt. This is the kind of conflict that became the core of the story, the central structure which in turn timbuh and evolving along with the continuous flow line. a story may contain more than one conflict, but only the strength of the utamalah conflict that can summarize all the events that happen in the plot. the main conflict is always tied to a very intimate with the theme of the story, these two things could even be very identical (a student almost mistakenly interpret "conflict" with the inner turmoil of the characters just seems vague or contradictions this term literally. only for two interconnected forces conquered or beresistensi).

Hasil (Inggris) 2:

The main conflict is always fundamental, banging the properties and certain forces such as; honesty with hypocrisy, naivete with experience, or individuality with a willingness to adapt. such conflict is the core structure of the story, which in turn will center timbuh and developed along with the continuous flow flowing. a story may contain more than one conflict strength, but only utamalah conflict that can encapsulate entire events that occur in the groove. The main conflict is always very intimately tied to the theme of the story, two things can even be identical (student almost mistakenly interpret "conflict" with the inner turmoil of the characters that just seem vague or with contradictions literally. This term is only for two power or is resistant to conquer each other).